MELISSA SEVERIN

marketing · pr · communications · poetry · prose

About

Melissa Severin

Melissa Severin is a marketing, communications and brand storytelling leader currently living in Austin but she will always be a Chicagoan at heart (Go Sox!). Her work has always been about translating complexity into meaningful messages that bridge knowledge gaps. She knows how to find stories—often hiding in plain sight—and the talent or trends that are about to break through.

Before advertising and corporate communications, she spent years as a publicist at Drag City Records, working with musicians and comedians from Bonnie "Prince" Billy and Silver Jews to Joanna Newsom and Neil Hamburger. She helped land Newsom's first late-night TV appearance on Jimmy Kimmel—early evidence of her ability to see what matters before everyone else does. From there, she moved into AdTech, serving as spokesperson for ShopLocal (local search before all search was local) and conducting some of the first research around Cyber Monday at Performics. She's produced hair shows with a broken foot, conducted research with world-class stylists in Germany, and built indexes that shaped industry benchmarks. Most recently at GSD&M, she repositioned a 54-year-old creative agency so the industry finally recognized its integrated capabilities across strategy and media—not just creative—winning the agency's first Ad Age A-List recognition and transforming how the agency was perceived. She's equally comfortable spotting emerging talent and collaborating across data, creative, and executive teams.

She holds a BFA and MFA in Creative Writing with an emphasis in poetry. Her poems have appeared in various journals, and she's published two chapbooks through Dancing Girl Press: Brute Fact and Atlas of Essential Monsters. Her writing explores memory, place, and the gothic undertones of everyday life—the same instinct for hidden meaning that drives her professional work.

Work

When organizations don't know what story to tell, have been spinning their narrative wheels, or have ignored a cohesive narrative altogether, that's when I come in. I find the stories hiding in plain sight, build the systems to communicate them consistently, and deliver measurable results across earned media, executive visibility, content, and culture.

Most recently at GSD&M, the industry viewed the 54-year-old agency as a traditional creative shop (read: "they do big TV ads"). I recognized they were a truly integrated agency with industry-leading strategy and media capabilities that had never been part of the external narrative. To reposition the agency, my strategy elevated each discipline, unearthed the right stories and thought leaders, and identified opportunities to spotlight them through earned media and awards that changed industry perception. The result: the agency's first-ever Ad Age A-List recognition, Campaign US Media Team of the Year (2024), Strategy Team of the Year (2025), and executive wins including CEO of the Year, The Drum Agency Business President's Award, and Visionary Strategist of the Year.

Over 15+ years, I've done similar work for advertising agencies, AdTech platforms, and global brands. I've driven a 126% lift in press coverage, consistently built social media programs that perform well above industry benchmarks, conducted early research on Cyber Monday, served as spokesperson for a local search platform before all search was local, and landed Joanna Newsom's first late-night TV appearance. I've also served as a judge for the Shorty Awards, Effie Awards, and Webby Awards.

Writing

Like every writer, I'm obsessed with time, place, and memory—not always in that order, but time usually haunts me first. So do gravity, space, and the unseen forces pressing against us. I love the economy of a poem, how it becomes a personal music that won't leave you alone. How a poem can feel like you somehow chewed someone else's dinner and it's stuck in your teeth—your tongue can't leave it alone, but there's a flavor there, and that flavor tells you about a smoky night with peaty scotch and creaking floorboards.

Poetry isn't a map for navigating uncertainty. It's a song to sing that gets the taste of life in your throat.

Poetry

My poems tend toward the visceral and embodied. They collide astronomy with anatomy and tenderness with decay. Bodies fail, time collapses, grief becomes something you can hold or swallow or cut yourself on. The work pulls from punk aesthetics as much as experimental poetry—raw, urgent, unafraid of what's uncomfortable.

I've published two chapbooks, both available through Dancing Girl Press:

Brute Fact →
Atlas of Essential Monsters →

Essays & Prose

My Substack, Things I Didn't Know I Loved, takes its name from the Nazim Hikmet poem. It's a practice of paying attention—rediscovering what I forgot I loved or discovering what I didn't know mattered. For the last few years, work and the rougher edges of life have consumed me: a move from Chicago to Austin, sick parents and care-taking, career demands and more. So much went by the wayside. I'm finding my way back to things, starting with the records that collected dust on my shelves, but really it's about anything that slipped away or never fully registered in the first place.

Read on Substack →

Contact

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